November 19, 2008

Barbara Lee - Gemella Contemporary Jewelry

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Name:    Barbara Lee

Company name:  Gemella Contemporary Jewelry

Website Link:  www.gemellajewelry.etsy.com

Where are you located? Bergen County, NJ – right outside Manhattan

il_430xn_16676307Tell us a bit about yourself: I am an autodidact, a Gemini, a musician, and an artist. In that order.

When did you begin designing jewelry/art?  Well, technically I began in 1973 when I was a hippie. I loved beads but couldn’t afford to buy any. So I made my own out of clay. I etched designs into the wet clay with a safety pin. After the clay was dry, I painted the beads with watercolor paints and a makeup brush, “shellacked” them with clear nailpolish, then strung them on embroidery floss. I sold one of them to a woman who worked at my parents’ drugstore.  She came in the next day wailing because she wore the necklace in the shower, and the clay melted into a gray goo around her neck. That’s when I learned that you have to FIRE the clay first.  But really, I began to be serious about making jewelry after I left my job as an art director in 2000. That summer, I visited my aunt who wore what was then the trendy style of stretch beaded bracelets; a whole stack of them going up her arm. They were just glass beads, but the effect looked like an armful of garnets. I saw it and knew I could make the same thing.

What made you choose this type of art? I love shiny things, especially colored gemstones. I wanted to find a way to incorporate my graphic sensibility with that medium.

il_430xn_320324731What do you make? Well, my tag line reads “heirloom quality jewelry from 18k gold and gemstones.”  I make necklaces, earrings, and bracelets.

What materials and methods do you use?  I use my heart, my brain, my hands, my torch, and my pliers to fashion gold wire with gems. There are certain gems I predominately work with: tourmaline, chrysoberyl, sapphire, and kyanite. And pearls. I’m experimenting now with making wire flourishes which reflect my background in typography and design. I spend most of my design time making sure that my jewelry has drama, contrast, and a unique color sensibility.

Where do your design inspirations come from? I think from the stones themselves. Infrequently will I sketch out a design. More often, I arrange stones on my desk and let color palettes and shapes drive the final piece. It’s hard to describe, but I enter a kind of “zone” where I know that what I’m making will work. If I’m not in the zone, then I’m not happy with the finished piece. I can’t tell you how many times I’ve destroyed a project and remade it. It’s a good thing that metal refiners will take back scrap!

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What is your best working environment/where is your studio? It’s in a small loft off my bedroom, which is under a steeply pitched roof. I tucked my bench against the one flat wall and ran some shelves up the exposed chimney on the other side. It’s cluttered, but perfect. I keep my guitars in the adjacent bedroom, so I can always take a break and get to them really quickly.

Where can your products be seen?   At the moment, at: www.gemellajewelry.etsy.com
www.seekingdesigners.com/gemella  www.tresjolie.us

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Magazine articles or press:  Magazine: One of my bracelets was featured in the Valentine’s Day issue of Polished, a style and fashion magazine out of Las Vegas.  Blog: GrandiaRoad.blogspot.com

Are you a fan of any jewelry artisans?  Of course! I love Mallary Marks’ work. Also Danielle Miller – I think she is a true original. And I’m inspired all the time by Magdalena Borejko (of Magdalena’s Atelier) and Jennifer Hallsey (of JleeOhio Designs).

Price range: $200 - $2,100

November 16, 2008

Tuyen Huynh - Création Twinne

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Name: Tuyen Huynh

Website Link: www.creationtwinne.com

tendre fleur

tendre fleur

Where are you located? Granby, Québec, Canada

Tell us a bit about yourself: I am a vietnamese cultured fashion designer graduated at Cégep Marie-Victorin in 2004 in Monreal. I am passionate of arts. I love nature and travelling the world to discover the amazing differents cultures of our planet. An excess of folly, a wave of creativity and 3 cups of patience is enought to drive me into crazy originals jewelry piece of art.

twist and shout

twist and shout

When did you begin designing jewelry/art? My first experience with beads was when I was studying fashion design. I put beads to embellish the clothes that I was designing. Then I found interesting to create some jewelry for myself. I got very great comments about my jewelry designs and then I’ve decided to make a business out of it in 2006.

What do you make? I make very special designs of jewelry such as necklaces, earrings, bracelets, rings and hair jewelry. The uniques jewelry that i make are very particulars and originals by their frivolous shape. Their nonsymmetric shape gives them their uncommon form.

What materials and methods do you use?  I am working with every kind of material. Glass beads, gemstones, pearls, sea shells, Swarovsky crystal and other various materials are thread on malleable metallic wire or acrylic coated wire made of stainless steel, sterling silver, copper, bronze or tin foil. I mixt them all together and by twisting and binding the wires, I create an incredible piece of art, a wearable sculture. My work is very aerial.

slinky bracelet

slinky bracelet

Where do your design inspirations come from?  Art, the earth, the nature and all the universe are an incredible source of inspiration.

herbes en folie

herbes en folie

What is your best working environment/where is your studio? My studio is in my home. My boyfriend provided me a room where I can work in a nice and bright environment. I work with the rhythm of the music.

Where can your products be seen? You can see my  creations on the internet on my website: www.creationtwinne.com, on Facebook, on Etsy: and on the TV at the “2 filles le matin” show. The jewelry is wore by the animator Amélie Grenier.

Upcoming events: I will be participating to the  Salon de la Marié in February 14th  of Montreal ( wedding show).

Magazine articles or press: My work as been featured in the “La semaine” magazine in Quebec, Canada.

Price range: $15-$300

Tell us a little about one of your favorite creations: One of my favorite creation is this funky style necklace (seen below). This one-of-a kind creation is made of stainless steel, glass beads, sea shells, acrylic beads and fresh water pearls. I’ve twisted the metal to give it this shape.

tendre-fleur

November 11, 2008

Sig Wynne-Evans - Beaded Bear

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Name: Sig Wynne-Evans

Website Link: www.beadedbear.com

Where are you located? Modesto California

Art Nouveau tiles

Art Nouveau tiles

Tell us a bit about yourself:  I am a safety inspector by day. But I started out as a classically trained violinist, until an accident at a part time summer job nearly amputated my finger tip, ending my violin playing. So I switched from music to working with horses for a while (as a groom/assistant trainer at a race track in Saratoga Springs NY, then finally earning my degree in Environmental Toxicology that landed my in my present job as a safety inspector for the State of CA. For me, beadwork filled my creative need which helps balance the scientific/technical end of my day job.

The transitions above were not easy. I fell onto hard times, and welfare. Before welfare kicked in to make ends meet, my then very young daughter and I survived from gathering “groceries” from the local supermarket dumpster. So when the welfare was approved, we actually had a little money left over, with which I bought beads, and the beadwork also helped to provide a little extra money. It was during this time that I also finished my degree work.

Winter Branch

Winter Branch

When and why did you begin creating your jewelry/art? I used to admire beadwork that was in a gallery near where I lived (in the 1980’s), I couldn’t find a class or someone to teach me, so I taught myself out of a book (Deon Delange’s Technique of Beaded Earrings). Quickly, I tired of the geometric designs and began designing my own earring designs. My first inspiration came from a restaurant ad that featured a couple having dinner. Behind them, was a wonderful stained glass peacock. Determined, I charted a likeness of the peacock into an earring design. That started the avalanche of designs (over 2000) that I have today.

What do you make? Assorted styles of seed bead work. Earrings, necklaces, three dimensional figures. In addition, I write a column of sorts called The Cracked Bead which is on my website that is a commentary on the bead business. So many people have loved my commentaries, asking for more! They tell me, it is about time someone says what I say in my tongue in cheek rantings! :)

Peacock and Doves Garden

Peacock and Doves Garden

What materials and methods do you use? Primarily Delica beads, and I am exploring Aiko beads as well. I add Czech beads, Austrian C\crystals and other beads to enhance my work. I am always looking for unique materials!

Where do your design inspirations come from? Much comes from Art Nouveau, Art Deco, Arts and Crafts and the Pre-Raphelite art movements inspire me, as well as traveling to other countries.

The Garden Wall

The Garden Wall

What is your best working environment/where is your studio? My studio is the room meant to be a dining room. It never served that purpose. The room houses my beads, computer and part of my art/bead library. I have a work table where I sit with my parrot beside me while I bead.

Where can your products be seen? www.beadedbear.com, www.bead-patterns.com

Upcoming events:Dec 6-7 The Women’s Building Craft show in Ft Mason San Francisco.

Magazine articles or press: I have written articles for Bead and Button, and Beadwork Magazines, I was also contributing Editor for Jewlery Crafts Magazine for 10 years. I also have authored over 20 bead pattern books.

Who are you a fan of? The Dali Lama, Yanni, Madonna, Vivaldi, Johan Strauss, Enigma, Anthony Bourdain, Andrew Zimmer, John Waterhouse, Alphonso Mucha (not necessarily in that order!).

Price range: $15-$4000

Tell us  a little about one of your favorite creations: The Mermaid. It is by John Waterhouse, one of my favorite artists. It represents over 40 hours to chart the design, and some 3 months of beading time.

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The Mermaid

November 7, 2008

Stephanie Sersich

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Name: Stephanie Sersich

Website Link: www.sssbeads.com

Where are you located? 15 Perkins St. Topsham, Maine 04086

Tell us a bit about yourself: I live on the coast of Maine, and my work is very much inspired by the ocean and the treasures beneath. When I’m not making jewelry, I love to run my dog on the beach or in the neighboring woods. I love to knit and garden, too! Textiles and my garden also bring me loads of inspiration.

assorted_2005_2_300wWhen and why did you begin creating your jewelry/art? I have been making jewelry since I was a little girl – I always say, since I was stringing pasta on yarn! I began working with glass and making beads when I was in college. My art became a business 10 years ago when I got out of college.  My mom collects ethnic jewelry and clothing, so it’s been a passion for as long as I can remember. While I originally learned to make beads on my own, my best tricks and techniques came from Sage and Tom Holland, who live and teach in the Ozarks of Arkansas. They were some of the pioneers of the bead-making movement. I feel very lucky to call them my friends and mentors.

What do you make? I make glass beads, using the ancient technique of lampworking.  I make my jewelry by combining them with vintage beads, talismans, natural materials, cords and fibers. My jewelry is full of color and texture. The large neckpieces are pretty wild, and I also make individual beads and smaller items for other jewelers to incorporate into their own pieces. 

flower_06_300wWhat materials and methods do you use? I make my beads from Effetre and Bullseye glass (both soft glasses), chosen for their high-contrast color palette. I use other beads and items that add a different sheen than the glass.  I like to mix shiny and pitted, new and old, bright and muted. The assemblage-type pieces are made from my signature Spiny Knotting technique, which is derived from macramé knotting.  I also love to just simply string beads, but mostly I can’t help adding fibers and knots to make my items more unique.

Where do your design inspirations come from? The natural world is an endless source of inspiration.  I love pod-shapes and radial forms, like flowers and stars. I like rocks and shells, encrusted with barnacles and sea-shells and funny-shaped growths.  Anything with a varying texture and things that stick out.

What is your best working environment/where is your studio? I live in Topsham, Maine in a Greek Revival house, built in 1830. My studio is in the carriage house. I make beads and teach classes on the main level and string beads and work in the upstairs office, in a well-lit room with high-ceilings.  I love space, and that’s important when you have a lot of stuff.

bauble_neck_2006_2_300wWhere can your products be seen? As far as retail locations, I have my work at several galleries, like Foundry Lane in Portland, Maine and Arts Afire, a glass gallery in Alexandria, Virginia. I also do several bead and craft shows (listed on my website) in different parts of the country. I’ve recently written a book called Designing Jewelry with Glass Beads, published by Interweave Press, and I have an example of almost everything I make in there! There are 20 “How-To” projects, as well as classifications of glass beads, a history of glass beads and useful tips and tools for beaders.

Upcoming events: This season, I have two craft shows in New England, but I’m also preparing for the Pasadena Bead and Design Show in January. I have a piece that just won an award at The Bead Museum in Washington, DC – part of their Celebrating Beads event. In March of 2009, I am teaching a collaborative class with my friend, fellow beadmaker Michele Goldstein, in Puerto Vallarta, Mexico, where we plan to bead and laugh ourselves silly.  I love to teach, and workshops are the events that I look forward to the most.

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Magazine articles or press:
My own book: Designing Jewelry With Glass Beads
And I have photos in several others, including:
Beads of Glass by Cindy Jenkins
Contemporary Lampworking and Formed of the Fire by Bandhu Scott Dunham

I have had magazine articles in Ornament, Beadwork, Bead & Button Magazine, Lapidary Journal and others.

Who are you a fan of? Other people’s jewelry & beads?  Gail Crosman-Moore, Michele Goldstein, Dustin Tabor, Amy Johnson, Lucie Weir, Bronwen Heilman, Caitlin Hyde, Isis Ray

Tell us a little about one of your favorite creations:  Like to make the big, outrageous pieces, like the Fiesta Necklace.

Fiesta Necklace

Fiesta Necklace

Anything else you wish to add? There are two things I love about my job - combining the colors and textures, and teaching.  Nothing brings me more joy than coaching a student to make something they had never envisioned, but that comes from inside them.  The exchange of excitement gives me a true connection to other people.  The power of creating something joyful from inanimate materials is a thrilling experience.  I just can’t get enough of it.

November 5, 2008

Sally Jewett-Brocato - Naked Jewelry

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Name: Sally Jewett-Brocato 

Website Link: www.naked-jewelry.com  (This is a re-direct to my etsy shop)

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Where are you located? Los Angeles, CA

Tell us a bit about yourself:  Until January, 2008, I was the co-founder/owner of a video production company in Los Angeles. During those years, I worked with many of the world’s biggest celebrities, recording artists and fashion/consumer brands. It was exciting and fulfilling, but after more than a quarter century, it was time to MOVE ON! My business partner and I were able to sell our business to investors which gave us the opportunity to focus on our passions. For the past few years, I have been making jewelry–first as a hobby and then more seriously as I started focusing on jewelry design for my next career. My latest work can be seen on Etsy under the seller name: NakedJewelry. I have always strived to be at the top and I know I have the best chance of getting there by learning from the best, so I also write a blog to showcase the most accomplished jewelry designers and tell others about interesting vendors and teachers I encounter as I build my business.  Through “meeting” so many talented and successful jewelry designers, I have learned much more than any class!

il_430xn_41265368When and why did you begin creating your jewelry/art? I took my first beading class in September, 2007 at Santa Monica Community College and I was hooked! I started with wire-wrapping and beading but rapidly decided that I wanted to learn the craft of metalsmithing.  For nearly a year now, I have taken classes at Venice Adult School and Loyola Marymount University as well as private lessons from a few very skilled jewelry artists.

What do you make? I specialize in fabricated sterling silver jewelry using natural gemstones.

What materials and methods do you use? I am working exclusively with silver right now and particularly enjoy creating pieces that have texture from my rolling mill processes as well as broom casting.

Where do your design inspirations come from? Since I have not yet found my signature style, my design inspirations typically come from other jewelry artists.  I love to look at what other people are creating and often see ways that I can take an idea and then make something that is unique. One of my favorite designers is Beth Rosengard who specializes in pieces created from gold broom casting.  I am in awe of her work and enjoy seeing how I can use the broom casting concept to make my own creations.

il_430xn_39940395What is your best working environment/where is your studio? My husband helped me build a little studio in an eight foot shed we have in our back yard.  It sits high on a hill above some steep steps so I am quite literally “in the trees”.  I don’t have music or the radio as I love to listen to the birds as I work.

Where can your products be seen?  My work can be seen at my etsy site:  www.naked-jewelry.com

Upcoming events: I have two events planned for the holidays including a West Hollywood wine tasting and jewelry trunk show and a school fundraiser holiday gift event.

Magazine articles or press:  My work has been featured in a variety of blog publications including Wickedly Chic, Shopalicious, Cuteable, In Yr Fshn, With This Ring…and IC Style.  I also recently won the etsy Jewelry Artisans Guild (eJag) Autumn Splendor contest for one of my earring designs.

Who are you a fan of?   My favorite jewelry design artist is Beth Rosengard.  I also admire the work of  Linda Lewis, Karen Klinefelter, Todd Reed and Sue Ann Dorman.

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Price range: $25-$250

Tell us  a little about one of your favorite creations: My favorite piece so far is a broom cast pendant I created using black onyx, Montana agate and garnets. This one-of-a-kind pendant is created from the ancient technique called “broom casting” where sterling silver is melted and poured into an upright broom, creating silver “stalactite-looking” pieces in the shape of the negative space between the broom straws, creating silver pieces that are as unique as snowflakes.

favorite

November 3, 2008

Morwyn Dow - Another Country

Name: Morwyn Dow

Website Link: http://www.anothercountry-morwyn.blogspot.com

Where are you located? Albuquerque, New Mexico

Tell us a bit about yourself: With my partner Asa, I own, work in and live over a used bookstore.  When I’m not working in the store, I’m working in my studio.

When did you begin designing jewelry/art?  I’ve been a crafter all my life. When you grow up with very little in the way of material comforts, you learn how to make your own fun – doing “found object” art before there was a name for it. I loved my Barbie doll and taught myself to sew, knit and crochet when I was 12 so I could make clothes for her. I’ve been blessed with the ability to “grok” directions and teach myself just about anything from a book. I took advanced tailoring classes in high school and worked for a while as a seamstress. I taught myself embroidery and needlepoint, paper arts and book making. I took up wire wrapping, jewelry making and eventually beadwork about 14 years ago.

What made you choose this type of art?  It was never a conscious choice – it felt more like a logical progression, an evolution.

What do you make?  I make art, wearable and superfluous.  What I do is primarily labor intensive, not cost-effective, non-practical and aesthetically pleasing.  I had an art teacher in high school who told me once that’s the definition of art.

What materials and methods do you use?  For materials I concentrate on seed beads.  For methods, I prefer working in bead embroidery, freeform peyote, and bead crochet. 

Where do your design inspirations come from?  Everywhere.  Art, music, poetry, literature, nature, mythology.  But I’m not so much inspired as compelled to create. It’s a way of communicating in a different dimension. Through art we share something deeper than opinion or attitude, the minutiae of the mundane or our surface lives - we share our individual, unique visions that come from a deep, communal wellspring of creation. It connects us. When you throw everything you know, every skill and every ounce of passion you have into the creation of a piece, just knowing you gave it your all can be reward enough. But, when someone really understands your work and appreciates it, there’s no way to describe that feeling of vindication, of acceptance, of joy, of connection.

What is your best working environment/where is your studio?  I work best when I’m at the table in our efficiency apartment, sunlight streaming in through the little window behind me.  An episode of some old sci-fi show will be running on the DVD player.  Each piece has a different genesis, but once I start a project with a generalized sketch, my process goes like this: pick out a bunch of materials I think will express the concept I’ve formed, thin it down to something manageable, then begin assembling the piece, with a lot of discarding, rethinking, replacing and reworking as it develops. I’ll keep at it until it’s what I want it to be. If I’m having problems, that’s when I really dig in my heels and beat my head against a wall until I solve whatever design issues I’ve run into. I work in short bursts or marathon sessions as time permits, but I usually set a (flexible) deadline for completion.

 

Where can your products be seen?

http://www.anothercountry.etsy.com
http://anothercountry.deviantart.com/gallery/
http://www.beadjournalproject.com/anotherc.htm

Magazine articles or press:  Step By Step Beads Sep-Oct 2007 (Vol 5 No 5), Page 26, “Easy Beaded Bangles”

Are you a fan of any jewelry artisans?  I’m a huge fan of many, many bead artists.  Tina Koyama, NanC Meinhardt, Tom and Kathy Wegman, The Lone Beader, Diane Fitzgerald, Margie Deeb, Heidi Kummli, Karen Lewis (Klew), Eni Oken, the list goes on and on.  I’m constantly surfing the web to find new artists, new work, new techniques, new materials.

Price range: $7.50 - $750.00

Tell us a little about one of your favorite creations:  This would be my cuff bracelet, “and I ran.”  I wanted to make a huge cuff, as a personal challenge, incorporating this enormous Chinese turquoise bead and a found object person charm. It turned into a pictograph. Gemstone rounds,pearls, Czech glass stars and tons of seed beads tell the tale of a white haired woman (hmmm . . .) pursued by Dark Forces. She’s running to safety - if she can just get behind that stone, her future will be bright and starlit.  It was mounted on sterling silver connectors with silver toned chain and base metal charms dangling down. I backed it with deerskin. The charms read “trust” and “believe.” It closed with a silver finish button/snap clasp.  I wrote about its creation on my blog; the false starts through its completion.  It begins 2/25/07 and goes through 3/21/07.  It took me nearly a year to get myself to the place where I could part with it. I loved it. I had to list this late in the night, while I still had my resolve.  It sold almost right away, before I could change my mind.  

and I ran

and I ran

Anything else you wish to add?   I hope I never stop learning, evolving and refining my art.  I think the key to improving one’s level of artistry has to do with raising one’s level of personal investment in that art. It’s the difference between sunflower patterned wallpaper and Van Gogh’s Sunflowers. The best piece of advice I’ve received to date came from a creative writing instructor many years ago:  Get out of your own way, don’t be afraid to fail, and just let the work take you over.

October 30, 2008

A look back at our October featured artisans

Thank you for visiting all of the great sites of our featured October World Artisan Gems. We have a growing mailing list with many people coming here to see the beautiful work of these talented emerging and established artisans and their newest creations.  Artisans featured here produce unique and one-of-a-kind artwork ~ don’t miss out ~ allow World Artisan Gems to be your guide to the most spectacular jewelry and glass art from around the world!  Thank you for spreading the word and showing your support for these talented independent artisans!

We will soon be featuring a section of this site dedicated to posting upcoming shows and events for our featured designers. Check back in the coming weeks for this page.

October 27, 2008

Lynda Andrews-Barry

Name: Lynda Andrews-Barry

Website Linkhttp://lyndaandrews-barry.com

Where are you located?  Kensington, Maryland, four miles outside of Washington, DC

Tell us a bit about yourself:  I am originally from Berkeley, California, but moved to Maryland when I was in high school.  I have a degree in interior design and worked as a project architect for 9 years before attending metal school in Baltimore. I have been making jewelry for about ten years now, and i love it. I live in a 110-year-old renovated farm house with my high school sweet heart (who is now my husband) and my fantastic black labrador, Oto. I love living in the Washington DC area! It is a beautiful, friendly city (despite what you hear on talk radio) with a thriving arts community.

When and why did you begin creating your jewelry/art?  I believe I sold my first box of Crayon-colored rocks door to door when I was about 6. I thought they were cool and that is the same reason I make jewelry.

What do you make? I make pretty things.

What materials and methods do you use?  I am currently working on two completely different lines of jewelry. “Herban Elements” are a collection of natural forms cast in sterling silver and electroformed in copper. On my daily walks with my dog I collect flowers, weeds, seeds, pods and other interesting natural and found objects. I electroform my finds in copper or cast them in sterling silver and then create jewelry from the new metal parts. Finally, I add textures, patinas and sometimes oil paints to my pieces.  My other work is a grouping of kiln-fired enamels, “high contrast.”  My work in enamel was inspired by me receiving a kiln for Christmas and thus feeling obligated to use it. “High Contrast” are brilliant three-dimensional shapes I cut with dies I make myself using my 20 ton hydraulic press. Sometimes I incorporate vintage stampings into my work. I solder the appropriate sterling silver finding to each piece and then sift the chosen color of glass enamel over it. Every color is kiln fired separately at 1520 degrees.

Where do your design inspirations come from?  I am inspired by everything and anything, or sometimes nothing. I keep a sketch pad with me or I use my Iphone to take photos of stuff, so when nothing happens I am ready. I really have enough ideas to keep me busy for more time than I have in this life, though.

oak bud toggle

oak bud toggle

What is your best working environment/where is your studio? I love my studio! My studio is the basement level of our house: It is bright and organized and big. It has everything I need to make things happen… or watch TV.

Where can your products be seen?  lyndaandrews-barry.com,   designoptions.etsy.com, herbanelements.etsy.com  and Dawanda

Upcoming events:  December 5-22 Washington DC downtown holiday market in front of the National Portrait Gallery. Check my website for exact times: my newsletter/calendar.

Magazine articles or pressWashington Post express featureEtsy Storque spotlight, Etsy Feature:fresh shops  diycitymag.net feature and contributer

Who are you a fan of? The ancient African cultures, especially Nigeria; the ancient Greeks and Romans; the Dutch masters; Michaelangelo; Leonardo; Louis Sullivan; Ettori Sottsass; Angston Hughes; Andi Warhol; my parents; Prince; Barack Obama

Price range: $18-$3400

Tell us a little about one of your favorite creations:  I love this ring because I found the coneflower seed head in my garden. the plant produces lovely magenta flowers each summer, but I had no idea there was this amazing form left over in the fall. After electroforming it in copper, I set it on a ring shank I formed from a tulip poplar tree stamen I cast in sterling silver.

Anything else you wish to add here?  Thank you for noticing my work!

October 21, 2008

Donna Millard

Name: Donna Millard     

Website Link: www.fyrebeadz.com

Where are you located? Currently in Rice Lake, WI but I hope to be moving back to Alaska soon.

Tell us a bit about yourself: Born and raised here in the mid-west but once I moved to Alaska I’ve since become an Alaskan through and through.  I can’t wait to get back, it is there that I find the most influence for my work and peace and harmony in my life.

When and why did you begin creating your jewelry/art? There is a large outdoor market in Anchorage every Saturday during the summer months and it was there that I first became acquainted with lampwork.  I was fascinated, to say the least and have been captivated ever since.  One thing led to another and I started to make unique jewelry pieces with my beads and often sterling wire.

What do you make? I make a large variety of bead sets and focals.  Often times I make florals or my “Loon” beads.  I’ve been having a lot of fun experimenting with all the new silver glass in my focal beads as well and I’ve recently developed a new beads style of organic water bugs.  Sometimes I saw my beads in  half and make my own sterling settings for them.

What materials and methods do you use? Effetre, double Helix, R4 glasses, silver foils, enamels, etc.  In my jewelry I use PMC and sterling wire, misc. stones and FW pearls.

Where do your design inspirations come from? Having just spent 7 years in Alaska, much of my work has been influenced from the beauty that surrounded me there.  The ocean, the mountains, glaciers and so on.  My florals were often inspired by the lush gardens in Anchorage, and yes, lush due to the 24 hours of daylight during the summers.

What is your best working environment/where is your studio? Right now my studio is located in the back sunroom of my home.  I’ve completely converted it into a studio that overlooks my backyard where there are many flowers blooming in the summer and many birds.  I usually have some sort of music playing in the background as I work.

Where can your products be seen?  On ebay  My work can be found on etsy,  Aurora Bead and Craft in Wasilla, Alaska, and Beadartists.org

Upcoming events:  I will be attending a private art show in Wasilla, Alaska in November 2008

Who are you a fan of? Many of my peers of which there are too many to mention.

Tell us a little about one of your favorite creations:  My favorite has to be my newest Waterbugs.  There were something that just happened one day as I was working.  I was so excited as I saw them begin to transform right in front of me.  It was awesome, as glass always is.

water bugs

water bugs

Anything else you wish to add?  I want to thank you for featuring me on your website.  I am honored.

October 17, 2008

Andrew Firth

Name: Andrew Firth

Website Link: www.andrewfirth.co.nz

Where are you located? Akaroa, South Island, New Zealand

When and why did you begin creating your jewelry/art? I started flame-working glass in 1984 when I was 17, mostly because I loved art and disliked school, when an opportunity came up to have a go at flame-work, I could not resist. This was something that I had never thought about doing, but has worked out extremely well; it is something that I still enjoy after all these years.

blue aquarium

What do you make? Flame-worked glass focal beads, but also flowers and other sculptural pieces.

What materials and methods do you use? I work with Soda-lime and Borosilicate glass, using a gas/oxygen burner to melt it (flame-work).

Where do your design inspirations come from? Mostly nature, but I do travel to Japan occasionally to see recent developments in Japanese bead making, of which I am a huge fan of, and love to incorporate this style into my own work.

What is your best working environment/where is your studio? I have my studio in a room behind my own Gallery where I sell only my own work; It is private when I need to concentrate, or can be public so that clients can see the work being created.

Where can your products be seen? www.glassblower.co.nz, www.andrewfirth.co.nz,   www.aoteroa.co.nz.

Who are you a fan of? Mostly Japanese glass bead makers; in particular Norikazu Kogure, and Kawakita Yuuka, I have a great affinity with their use of colour and style.

Price range: My beads cost between NZ$50 – NZ$200; other work between NZ$30 – NZ$1800.

Tell us a little about one of your favorite creations: This would have to be my most recent work - Aquarium beads; these beads have a number of small individually made fish encased in glass.

 

October 15, 2008

Loella Medina

Mercedes earrings

Mercedes earrings

Name:  Loella it is a name given to me by my father inspired by a love song from the 70s.

Website Link:  www.LoellaMedina.Etsy.com and www.LaBodaCollection.Etsy.com

Where are you located? I currently live in New York City.

Avizeh

Avizeh

Tell us a bit about yourself:  I was born in the Dominican Republic and as very young girl I already exhibited interest in designing. At the age of six, I would steal my mother’s left over fabrics (my mother is a great seamstress who taught herself how to make girls dresses and would make my sister and me beautiful dresses for special occasions like our first communion). I would use the fabrics to make dresses for my dolls and my sister’s dolls. At that time my father, a Civil Engineer had immigrated to the United States and was supplementing our income by making jewelry (earrings) using buttons and crystals which he would send to my mother in Dominican Republic for her to sell to her friends. The pieces became so popular that my father needed to send my mother boxes full of hundreds of earrings every other month.

When and why did you begin creating your jewelry/art? When I moved to the United States I was 9 years old. My father no longer needed to make jewelry to send to Dominican Republic and we were finally reunited. He still had all of his beads and pliers and being a curious girl, I decided I would make jewelry. At first it was just a hobby something to keep myself busy and deal with the changes of moving to a big city and leaving behind friends and pretty relaxed childhood. It was not until years later when the idea of creating jewelry as a business emerged and that was 3 years ago.

Marisela

Marisela

What do you make? I make jewelry inspired by my own experiences and travels. The pieces range from earrings, bracelets and necklaces to occasional tie pins.

What materials and methods do you use?  I use precious and semi precious gemstones; Ruby, Sapphire, Topaz, Garnet, Tourmaline, Peridot, Amethyst, etc.  I also use sterling silver, 24k vermeil and gold filled wire and components. I am currently making a transition to 18k solid gold and fine silver and incorporating diamonds to some of my designs.

Where do your design inspirations come from? My sources of inspirations are every day life, travel, life experience, my Caribbean culture. When everything else fails, I either look back to past work or log on to Flickr to browse the works of my favorite photographers.

What is your best working environment/where is your studio? My best working environment is sitting at a small desk with only the supplies I will be using for the particular piece I am working on at the time along with some music (Bossa Nova).

Anaisa

Anaisa

Where can your products be seen? 
 www.LoellaMedina.Etsy.com
www.LaBodaCollection.Etsy.com
www.Trunkt.org/LoellaMedina
http://loellamedina.blogspot.com/

Upcoming events: Look for a special sale November 28, 2008

Magazine articles or press:  My jewelry has been featured in the off-off Broadway production: The New to New York Actor’s Showcase in the summer of 2007; The national magazine: Step by Step Beads during their August/September 2008 edition and will be featured again in their January/February 2009 edition;
In About.com on July 1, 2008 and in the following blogs: Soap Deli News (10/02/2008), Love Bird Design’s Blog (08/13/2008), Indie Style File (10/01/2008), Wickedly Chic (05/15/2008)

Who are you a fan of? I am a fan of sunny days at the beach floating on my back and starting at the beautiful blue sky.

Tell us a little about one of your favorite creations:  One of my favorite creations is the Ignacia Earrings. This is my first piece using 18k solid gold and I just love how the combination of the yellow, orange and blue turned out. It is a vibrant piece of jewelry that is bold and playful at the same time.

Ignacia

Ignacia

October 13, 2008

Andrew Brown

Name: Andrew Brown

Website Link: www.kbglassworks.com  and  www.glassartists.org/AndrewBrown

Where are you located? Albuquerque, New Mexico

Tell us a bit about yourself: I love to push and test the limits the medium of glass has to offer.

When and why did you begin creating your art? My love of art and creating art began when I was very young. I followed my passion by attending Savannah College of Art Design. After graduating in 1998, with a BFA in illustration, I moved to Albuquerque and co-founded KBGlassworks. I now work independently.

What do you make? Combining flameworking, fusing and cold working, I specialize in unique wearable art and paperweights. 

 

 

 

What materials and methods do you use? My primary material is borosilicate glass. I flamework, fuse and coldwork.

What is your best working environment/where is your studio? I currently work out of Greymatters Studio and out of my home studio. I also really enjoy doing collaborations with other glass artists. I love feeding off of other artists’ drive and inspiration.

Where can your products be seen?  GlassArtists.org, An online community for glass art  Arts Afire Gallery, Alexandria, VA,  and www.kbglassworks.com,  a shared website with Andrew Brown and Bryan Kitson artwork.

Upcoming events:  Arts Afire Glass Gallery, Alexandria, VA. TRUNK SHOW, Visiting Artist: Andrew Brown, October 18 and 19, 2008, Gallery Receptions: Saturday 5 p.m. to 8 p.m. and Sunday 12 p.m. - 5 p.m.

14th Annual Best Bead Show – Tucson, AZ – Spring 2009

Seminar on Electroforming: International Flameworking Pre-Conference. Salem, NJ, March 20, 2009: www.salemcc.edu

Magazine articles or press: Featured artist on Glass Alchemy website and current advertising
The Flow Magazine, Vol. 1 Issue 4, Bead & Button Magazine (March 1998) Artist Article.  Bead & Button Magazine (December 2008 #88 Collectors Edition) “Artist Spotlight

October 10, 2008

Yvonne Cornelius

Name: Yvonne Cornelius

Website Link: http://www.BluebonnetJewelry.etsy.com

 

back of necklace

(back of necklace)

Where are you located? Killeen, Texas

Tell us a bit about yourself: I’m originally from the suburbs of Chicago.  I married a wonderful Texan (26 yrs.) and after early retirement for both of us, we settled in Texas.  We have 4 dogs, all with funny and different personalities.   I’ve been beading for 11 years, but only in the last 2 years have I been selling my jewelry.

When and why did you begin creating your jewelry/art?  My husband was overseas and I was living in a new town and didn’t know anyone.  I was working on a basket purse and it had a peyote flap attached to the basket.  Since I didn’t know anything about beading, I bought some books and a video of how to do peyote stitch, and went from there.  I liked beading so much I gave everything else up.  Did I ever finish that basket purse?  Nope, still sitting there.

What do you make?  Jewelry of all kinds – bracelets, necklaces, earrings, pins, and pendants 

Lariat

Lariat

What materials and methods do you use? I love to use Swarovski crystals and seed beads in my jewelry. Besides that, I use all sorts of items like shells, pearls, cabochons, gemstones, stones, rivolis, buttons, delicas, flowers, leaves, and charms.  I’m always looking for something I can bead around or use in my bead embroidery.   I also like to incorporate lampwork beads from other talented artisans in with my designs.  Using off-loom weaving works for me the best which includes stitches like peyote, netting, brick, herringbone, freeform and right angle weave.  I enjoy bead embroidery the most. I’ve been doing kumihimo with beads for the last six months along with some wirework.  Felting is the next thing I would like to learn.

 

Where do your design inspirations come from?  Usually the beads will dictate the design.  Sometimes it can be a color, a certain cabochon or lampwork bead that starts the design process off. 

What is your best working environment/where is your studio?  I have my own studio/computer room in my home near the living room so I can hear TV or just have background noise.  If I totally want to be alone, I can just close the door.

Where can your products be seen?   Etsy, My blog, and Flickr

Who are you a fan of?  It’s hard to choose just one.  Sherry Serafini, Heidi Kummli, Laura McCabe, Edda Blume, Amy Clark Moore, Sharilyn Miller are just a few.  I have many others I admire.

Tell us a little about one of your favorite creations:  One of my favorite pieces is the bead embroidery bracelet, “Almost Autumn.”  I like using the different textures and how they work together.

Almost Autumn

Almost Autumn

Anything else you wish to add?  I think we still need to educate the public about beading as an art form.  People don’t realize how much time is put into each piece of jewelry and why pieces are priced the way they are.  Each single bead is put on one at a time and a little bit of that person goes into each piece.  Once the public knows that it will last for generations and isn’t manufactured, I think then people will consider it art.

That is precisely what we hope to accomplish and the reason for this website. Thank you for sharing your beautiful artwork with us!

October 8, 2008

Bijoux d’Odalisque

Name:  I answer to the following - “Bijoux” “Bijoux d’Odalisque” “Holly” “Princess” “Pumpkin” (thank you Mom) “Sweetie” and my favorite… “Hey you…Why are you dressed like that? It’s just the grocery store!”
(I am a chronic over-dresser.  When I say “life is short – wear your jewels everywhere,” I mean it.)

Website Link: www.BijouxOdalisque.etsy.com

Where are you located? Upstate, New York

Belle Epoque Bracelet

Belle Epoque Bracelet

Tell us a bit about yourself:  I am a classically trained oil painter, art historian, and jewelry designer.  I spent many years traveling abroad to visit see my inspirations in person.  Traveling is an addiction.  I hope never to grow tired of the gelato flavors in Venice, the sidewalk chalk “paintings” in Paris, or the “Pemberley”-reminiscent manors of England. I am a true romantic, and a very silly one sometimes.  I once walked across Paris in the middle of the night.  I found myself completely alone beneath the Eiffel Tower – no tourists or passer-bys in sight, so what did I do? I laid down on the cool pavement beneath the dark and forbidding sculpture so I could lie on my back and memorize the moment. On another occasion, I visited Chateau Versailles and upon being given a map of the famous manicured gardens, I threw it in the trash so I could purposefully lose myself within its secret paths and lush little alcoves of roses.

Alais

Alais

When and why did you begin creating your jewelry/art? As a painter who favors layers of rich glazes and varnish, I wait days, even years for my canvases to dry, waiting the next application of fine detail.  I became restless and needed to mold or manipulate…”something”.  I traded my pigments for gemstones, my brushes for silver and began creating lavish gemstone designs.

What do you make?  I make women feel glamorous.  I want to shower them with gemstone jewelry that is of the finest quality and above all – wearable.  I see no reason why a woman cannot wear a gemstone necklace with a crisp white shirt, not just her little black dress. 

What materials and methods do you use?  I use the finest quality precious gemstones, fine silver, and 24K gold vermeil – materials that allow for distinctive, elegant designs while keeping my prices affordable. There is no method to my creativity, no sketching, and no planning.  I prefer to let my jewelry designs unfold and tell their own story.

Osmanthus

Osmanthus

Where do your design inspirations come from?  I am inspired by so many artists, books, travels, etc…I wouldn’t know where to begin. The colors of Fall foliage, the scent of herbal teas, the sound of my husband composing music, or a particular perfume I catch the scent of on my Mother’s blouse – all of these things and everything lovely and unexpected inspire me.

What is your best working environment/where is your studio? I like to sit at my tall black apothecary desk next to our living room fireplace.  I often prep for many hours of work by preparing a pot of my favorite tea (Earl Grey de la Crème) and having some music handy that suits my mood.  I am currently very fond of the soundtracks to “The Piano” and “The Red Violin.”

Where can your products be seen?  EtsyTrunkt and Seeking Designers

Magazine articles or press:  My designs will be featured in the winter issue of ELIZA Magazine which can be purchased online at their website or at Barnes & Noble bookstores.

The Longest Journey

The Longest Journey

Who are you a fan of? My mother.  As long as I can remember, my mother has been my idol, my biggest cheerleader, and sometimes my backbone when I needed it.  I thank God every day that I was lucky enough to be her daughter.  When said, ‘Mom, I want to change my major and be an artist”, or “Mom, I am thinking of backpacking around Europe alone this Fall,” I never had to cringe and wait for criticism – she always understood that I could not color in the lines.

Price range: $80.00 - $3,000.00

Tell us a little about one of your favorite creations: The Belle Époque Necklace is by far my favorite gemstone creation. I was able to combine my love of flawless gemstones, the soft quality of pearls, and a natural geological wonder (amethyst stalactite).  It’s an eclectic combination of “gems” that harmonize despite their very different qualities.

Belle Époque Necklace

Belle Époque Necklace

October 6, 2008

Tihana Rukavina (Ignis)

Laeya

Laeya

Name: Tihana Rukavina (a.k.a Ignis)

Website Link: http://www.ignis-art.info/

Where are you located? Rijeka, Croatia (Europe)

Tell us a bit about yourself: My name is Tihana Rukavina but in the online world I chose to go by the nickname “Ignis.”  I was born on the 7th of December 1980 in the city of Rijeka (Croatia/Europe). As a result of my formal education I currently have a title of B. Sc. in both information and education science. Perhaps my formal education would be different if I discovered my passion for jewelry making earlier in my life. Unfortunately, I never had the chance to take a part in any kind of art/craft education but I do hope of being able to change this fact in the future.

When did you begin designing jewelry/art? I was always creative in many ways. As a teenager I used to make myself necklaces but at that point I still didn’t realize what meaning jewelry making w